During my research for the paper I wrote for MDM530 I came across an interesting academic journal titled, Active White Space (AWS) in Logo Designs: Effects on Logo Evaluations and Brand Communication. I did not end up using it as a source for my paper, but I did file it way for later. It goes over using active white space in logos which is something I had not considered before. Sharma (2018) explains how using AWS “will make the logo design visually clearer and more aesthetic by separating and surrounding each individual logo element with white space” (p. 271). I plan on adding the techniques covered in the article to my design toolbox for future projects.
My strengths come from my strong design skills and my extensive technical knowledge. I have been working in the graphic design field for a long time, but these projects have helped refine my skills. It has helped me create a better concept stage to make better products. It also has forced me to experiment even more with the Adobe Suite which has only strengthened my skills. My technical knowledge comes from my studies for my bachelor’s in digital art and classes I have taken about related subjects since sixth grade. A weakness that I discovered in this course is that my understanding of brands could use some work. All of my related experience up till this point has been with smaller projects that I have done as a freelancer. I do not have experience in a design firm. This course has helped me understand the concept better. The paper in particular forced me to research ways of developing brands and how to maintain one. I did not have the foggiest clue about how to approach these before I started but I am changing that now. The main threats that I foresee come from time management and lack of formal training. Between my day job (teacher) and my freelancing, it does not leave me much free time. An opportunity I have is I am getting assistance with my living arrangements, so I can cut back on freelancing hours, to provide more time for school work. In regards, to making up for my formal training, by completing this course I will fill in gaps I have about the industry. The resources that the instructors and Full Sail have provided so far have been a big help.
Overall Vision Board SWOT
Having a strong understanding of the region helped with the development of these boards. Due to previous stories I have worked on, I have done research into Iceland and Viking culture and mythology. This created a strong starting point for me to work from when designing the imagery, color palettes, etc. Another strength I had was that I know the Adobe Suite very well so I could focus entirely on the board designs and did not have to worry about learning a new program. When I was originally designing my logos, I had collected a small folder of inspiration/research images. Some of these became my images I used in the board. This meant I had most of my assets beforehand and it was mostly a case of working with the layout.
My main weaknesses came from understanding the brands I wanted to achieve and my use of color blocking. I do not have much experience in creating a brand so that was one strike against me. On top of this, I mostly think in visual terms so forcing my thinking to expand into deeper aspects was a struggle. Something that helped though was trying to focus on other sensory inputs. For example, the keyword warm in the geography board does not speak to the color palette. I was trying to incapsulate the feeling from the lava, the steam, the general energy that pulses through the land, and the clothes. My go to design technique is color blocking but that can sometimes lead to a grid like look. Trying to free up my layouts was something I had to fight and modify with each iteration.
Working with the layouts turned out to be my biggest threat. Due to my color palette or the theme I was trying to convey I had to fight to make the boards readable and digestible. With the geography board and the modern culture board I did not have to worry about the palettes too much because they had bright colors to help contrast with the darker ones. With the tradition board a lot of the colors use similar tones, so it was difficult to find the right combination that created enough contrast. With the modern culture board, I wanted to convey movement and directionality. To do this I found I was walking a fine line between movement and confusing chaos.
An opportunity I had to help with my contrast threat was to add different colors to the palette. Some themes allowed me to add bright colors. For instance, with the geography board I could add a bright yellow to play on the warmth aspect. With the traditions board, I used colors with similar tones, but I tried to add some that were further apart on the color wheel, so they had different makeups. The biggest opportunity I had to combat the layout issue, and the rest of my issues, where the peer reviews. They allowed for fresh eyes to spot any problems and present possible solutions I had not considered.
After pencil sketches upon pencil sketches I finally moved onto vectorizing the logos. Even then though, the logos needed some revisions. The top row is the finalized logo with a colored version and below is an abbreviated evolution of each logo.